Prax tagged me to write 10 movie quirks. However judging from other responses this sounds more like movie hall quirks 
- I tend to avoid watching movies in movie halls because the idea of so many strangers sitting in one dark cramped room on seats designed for discomfort, eating huge portions of junk food and arching their necks to stare at a bright screen scares me. If and when I go, it’s usually a date or else a gang of friends (i.e. occasions when ‘watching the movie‘ is a secondary activity.)
- Yes yes, I am ‘that’ guy – the one who loves chatting with friends during a movie. I find it urgent to express my sarcastic views then and there, often sending out an infectious laughter. I don’t understand why some people think watching a movie is like going to a crematorium – no smile, no talk, just focus on the only source of light in the dark room…. and uh, yes, not laugh at my mediocre jokes.
- I strongly believe that mainstream movies (Bollywood masala in particular) are made for people with double digit IQ’s. Missing few minutes is not going to matter at all, (at least to people who understood what I just said)
- I love the system in the movie halls in India (atleast in Mumbai, I don’t know other cities) – tickets have seat numbers. If I plan and book in advance, I should have the right to choose my seat in advance. Else it feels like I am boarding an unreserved compartment of a railway train or an air deccan flight… people jostle to grab good seats 30 minutes before the movie starts and the guy who planned this looks like a fool.
- The first thing I check is signs marked ‘EXIT’ (and show it to my friends who laugh it off.) The last thing I wanna do in a crisis situation is to squander time searching for one.
- I don’t understand why people zealously overpay for poor quality goods, such as food. And what exactly makes everyone hungry once they enter the confined room? Its a matter of 2-3 hours, comeon! Often the cumulative sound of people munching and slurping their food is higher than the dolby digital movie sound, not to mention the annoying smell that lingers in the hall until your nose is immune to it.
- Dolby digital (and other fancy) sound systems does NOT mean ‘excessively loud volume.’ After the movie people usually emerge out screaming and yelling at each other because the
noisemusic has deafened their ear drums. - I giggle when (other) people fart in closed and confined places. I have a fantasy for people who eat onion rings dipped in garlic sauce and then watch the movie with an open mouth. I secretly wish that some slimy bug with four hundred legs would slither into that opening. Seriously, the stench kills the most adorable deospray and I feel like burrying my nose in my (or my neighbor’s) armpits but then that would seem perverted.
- I don’t understand the craze for watching a movie on the first day paying double the price. I prefer weekday evenings when the prices are half and guess what, its the same stuff on screen!
- I would gladly pay more to have separate arm-rests for each chair. Some people have hairy, sweaty arms, no?
I have a feeling that hardcore movie buffs hate me now…. no, no, don’t hate me puhleezzz 
See I wrote few movie reviews too!
I’m tagging.. umm… let me think. Oh, if you like it, take it up voluntarily
cheers!
Me loving a Shah Rukh Khan movie?
The movie must have been reeally good. Yes it was
Om Shanti Om, directed by Farah Khan, stars Shahrukh Khan and Deepika Padukone in the lead roles as the protaganists while Shreyas Talpade and Arjun Rampal feature in supporting roles. It is a typical yes-nonsense Bollywood masala movie. It is also the kind of movie that I seldom watch.
If you want to watch this movie, there are three prerequisites. First, you need a gang of noisy and enthusiastic friends who scream, sing and dance along with the movie. Second, you need to leave your left brain behind (you know, the one which thinks logically). Finally, you must not expect to learn a thing or two from the movie – thats because you won’t, there is nothing to take home.
The movie promises total fun, as it transitions swiftly from Bolywood in 70’s to Bollywood now. Kiran Kher’s deliberate melodramatic scenes and SRK+Shreyas’s retro outfits combine with some smacking satire on the movies of those times to make an interesting watch. There’s lot of talk about Shahrukh’s six pack, and he flaunts them in the only totally un-required song (making it uglier) – but then thats Bollywood.
One of the best parts of the movie was the Filmfare awards ceremony – with all the nominations and announcement of awards. The other astonishing part was the item song with several filmstars – present and past. As a MBA student who finds it difficult to schedule a meeting of 8 people at the same time, same place, I wonder how this was done.
On a side note, this movie makes the de-Sankritization of Hindi movies complete. Increasingly the movies are filled with English, or, Urdu words, that often leave me wondering with what the guy on screen just said. Ah…
Highly recommended watch. Never believed a reincarnation story could be that entertaining
कालच्या ई-सकाळ मध्ये ही बातमी वाचली आणि अचानक डोंबिवलीची (घरची) आठवण झाली.
अनेक पुरस्कारांनी नावाजलेल्या, प्रेक्षक आणि समीक्षकांच्या प्रशंसेस पात्र ठरलेल्या तसेच राष्ट्रीय व आंतरराष्ट्रीय पातळीवर गौरविलेल्या “डोंबिवली फास्ट’ या चित्रपटाने आपल्या शिरपेचात आणखी एक मानाचा तुरा खोवला आहे. ….
आज जाहीर झालेल्या राष्ट्रीय पुरस्कारांमध्ये सर्वोत्कृष्ट प्रादेशिक चित्रपटाचा (मराठी) बहुमान त्याने मिळविला. स्वदेशी एण्टरटेन्मेंट प्रस्तुत समीर गायकवाडनिर्मित आणि निशिकांत कामत दिग्दर्शित या चित्रपटाने चांगले यश मिळविले होते.
तुम्ही हा चित्रपट पाहीला नसेल तर लगेच् बघा, चुकवू नेये असा चित्रपट आहे. माधव आपटे ही व्यक्ति चित्रपटात तुमच्या-आमच्यातली आजवर लपून रहीलेली एक गडद रंग छटा सादर करते. माधव आपटे – एक सामान्य माणूस. बॅंकेत चांगल्या पदावर नोकरी, बायको, दोन मुलं, संसार सुखाने करावा, अशी इच्छा मनात, पण तत्त्वं सांभाळताना त्याची कसरत व्हायची…. अतीशय छान परीक्षण येथे वाचा.
खरंच… खुप काळानंतर मला उत्तम कथा, सादरीकरण व छायाचित्रण या चित्रपटात बघायला मिळालं. कथेचा वेग योग्य तर आहेच्, पण त्याच् बरोबर कलाकारांची भूमिका ही अप्रतीम. शेवट जरा विचित्र वाटला, पण तरी बराच वास्तववादी आहे.
[tag]Dombivli[/tag] Fast is a [tag]Marathi[/tag] [tag]movie[/tag] that was made in 2005. It is the story of Madhav Apte, a middle-class Marathi man who lives in Dombivli, a suburb some 50km away from Mumbai. He is a man with principles, who has a simple aim in life – to support his family and keep them happy. Madhav is troubled by the endless struggle and the problems that surround him. Suburban trains in Mumbai are referred to by their destination and speed. [tag]Dombivli Fast[/tag] thus indicates a local train that originates / terminates in Dombivli and stops at select stations (hence the word ‘fast’).
The film has won a string of domestic and international award, latest being the National award for best picture. The movie is based on a storyline that people of Mumbai can instantly identify with.
Marathi director Nishikant Kamath is making his Tamil debut by remaking this movie(starring R. Madhavan and Sangeetha) – Evano Oruvan
I remember watching the movie in a house-full hall. Even after the movie ended, people just sat there, in silence… it is a story that everyone can associate themselves with.
Dombivli is my hometown by the way.
नोव्हेंबर २००६. नुक्ताच् प्रकाशीत झालेला केदार शिंदे दिग्दर्शीत “नवरा माझा तुझी बायको” चित्रपटाला शासनाने टॅक्स्-फ्री दर्जा दिला होता. शेजारीच् उघडलेल्या नव्या चित्रपट ग्रृहात याचे दिवसाला दोन खेळ चालत होते. आजकालच्या मल्टीप्लेक्स स्टॅंडर्ड प्रमाणे २ खेळ म्हणजे पिक्चर नक्कीच् चालत असणार, असं मला वाटलं. साधारणपणे टॅक्स्-फ्री चित्रपट चांगले असतात असं कुठेतरी वाचलं होतं. मला नेमकं काय झालं कोणास ठाउक, पण मी सहज गेलो आणि चक्क २ तिकीटं काढली!
आता प्रश्न होता तो एक बकरा शोधण्याचा. एकट्याने पिक्चर बघणं मला विचित्र वाटतं, म्हणुन मी नेहमीच्या गिर्हाईकांना फोन करू लागलो. अगदी वाईट परीस्थीतीत मी त्याचं तिकीट स्पॉन्सर करण्याची सोय केली होती. एक तासात एक मित्र हा (फालतू) चित्रपट बघण्यास तैयार झाला. या वरून तुम्हाला कळलं असेल की मी किती चांगला सेल्समन आहे!
पिक्चर चालू होउन अर्धा तास झाला तरी मला आशा होती की पुढे काहेतरी चांगलं असेल. माझा मित्र शेजारी बसून माझ्यावर शाब्दिक मारा करत होता. मी त्याला समजावत होतो की ही नोर्मल मार्केटींग स्ट्रॅटजी आहे. मी कधीच् पिक्चर अर्धवट सोडून गेलो नव्हतो, पण आज रेकॉर्ड ब्रेक करायची ईच्छा होत होती. नावावरूनच् कळायला हवं होतं. टप्याटप्यावर टुकार संभाण, बुड नसलेली कथा, पाचकळ विनोद व एकंदरीत तिसर्या प्रतीचा चित्रपट. पैसे घेउनही कुणी हा चित्रपट बघु नये ही विनंती.
मराठी चित्रपटांची दयनीय आवस्था बघून मला फार वाईट वाटलं. खालच्या दराचे चित्रपट बनविण्यापेक्षा काही न बनवलेलं बरं, असं मला वाटतं…
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